Homepage | Letter From The Publisher | CD Reviews | Articles | InterviewsLive ReviewsColumnsMusic NewsMusic Dish ArticlesMusic Dish CD Review | Press Releases  

Sponsors Page | Online Shopping Mall | Music Resources | Radio & Video SoundsCharitiesLegal Aid | Free Classified | Magazines & Ezines Artists/Bands CD's Retail & Wholesale Giveaways | Festivals

  Archives | Just Ads  | Comments | Message Board | Guestbook  | Contact Us  | Advertising Info | Webrings

Column OnLineGigs


We just spent a ton of money and time getting ready to book gigs. It took us months in the studio to record our CD. And even longer to master it, finalize the artwork and get them all duplicated. The whole band got together and stuffed a ton of envelopes. We sent out over 50 press kits to clubs and festivals. It’s been almost two months now and we still have not heard back from anyone. What did we do wrong?

You did not follow up on your kit. It’s that simple. Talent buyers are sent countless promotional packages every day. Sometimes the best of them will have listening hours, but most times unsolicited packages go unheard. Once that CD and press kit is sent, you will need to do everything in your power to maintain a consistent schedule of follow up calls, emails and faxes. The problem is that most people get discouraged after the first few times that they are unable to reach the Talent Buyer. Some even get very emotional in just trying to get a response to the repeated emails or calls. The reality is that most Buyers will only book those things that they already know about or that comes recommended from their trusted peers or friends. For the average band to be heard above the never ending din of new bands only requires one thing, PERSISTENCE. 
You need to be confident enough in your product to continue your follow up regimen until you get a firm yes or no. But it is a fine line between being persistent and being a pest. 
A Pest:
Calls during the busiest hours (nights and weekends.) 
Calls, emails and leaves numerous messages every week. 
Is usually looking for a gig within the next few weeks. 
Is short or abrupt when calling. 
Stops calling after a few weeks of disorganized rudeness. 
Persistence Is:
Finding out when the best time to call is and only calling during those hours. 
Following a consistent, weekly schedule of phone calls, emails and faxes. 
Being realistic. Most clubs book 2-4 months in advance. 
Being polite. 
NOT GIVING UP, (a lack of response never means not interested.) 
Once you reach the Talent Buyer always ask if it is a good time to discuss booking. If it is not, ask when would be a better time and be sure to set a reminder to follow up. 
Any band can put together a great demo, but truly successful bands realize that every person they contact is a potential business relationship for life. They may not be interested today, but you should ask if it is okay to stay in touch and keep them posted about your progress as a band. Then call them a couple of times year, say hello, tell them what you have been doing and inquire if there are any gig opportunities. 
Sending out a few emails or CDs is not going to make the phone ring by itself, no matter how good your band is. The only way to get the industry to take notice and give you an opportunity is through consistent, professional follow through.  
Jay Flanzbaum answers your booking questions as Ask the Agent. Please submit all questions to asktheagent@allaccessmagazine.com . Jay Flanzbaum currently runs Onlinegigs.com , an automated booking and promotional tool. Jay spent over 7 years putting independent bands on regional and national tours with Visionary Booking.

Jay Flanzbaum
7040 Lismore Ave.
Boynton Beach, FL 33437
P: (888) 595-3122 F: (866) 215-0034